Ronald Hawkins is the founder of the RDH Great Stories business. He has been an award-winning reporter, writer, editor, columnist, interviewer, videographer and more for newspapers, trade publications and others in New York, Indiana, Kentucky, Maryland, Virginia, Pennsylvania and New Jersey.
Mr. Hawkins also has given presentations on science fiction, the Beatles and other subjects at libraries and science fiction conventions. Most recently, he has written for Radius Indiana and Ready Set Quit Tobacco. He also has volunteered as a literacy coalition tutor.
RDH Great Stories can be hired for a variety of projects. If interested, he may be contacted at email@example.com or by sending a written inquiry to:
After more than 50 years, “Get Back” will finally be released as a documentary film in September.
When the Beatles began their work on what was intended to be “Get Back,” the complicated sessions and band member relationships led to the band throwing its hands up in the air. Eventually a “Let It Be” album and film were released, chieflyderived from the Get Back sessions. Very few were happy with the record produced by Phil Spector and the movie.
“Let it Be” hasn’t been available to the public since the early days of commercial VHS tape.
On Thursday, Walt Disney Studios and Apple announced that a Peter Jackson-created documentary called “Get Back” would be released around the world.
According to the announcement, The Walt Disney Studios officials stated they had acquired the worldwide distribution rights to “acclaimed filmmaker Peter Jackson’s previously announced Beatles documentary. The film will showcase the warmth, camaraderie and humor of the making of the legendary band’s studio album, “Let It Be,” and their final live concert as a group, the iconic rooftop performance on London’s Savile Row.
The Beatles: Get Back” will be released by The Walt Disney Studios in the United States and Canada on September 4, 2020, with additional details and dates for the film’s global release to follow. The announcement was made earlier today by Robert A. Iger, executive chairman, The Walt Disney Company, at Disney’s annual meeting of shareholders.
“No band has had the kind of impact on the world that The Beatles have had, and ‘The Beatles: Get Back’ is a front-row seat to the inner workings of these genius creators at a seminal moment in music history, with spectacularly restored footage that looks like it was shot yesterday,” says Iger of the announcement. “I’m a huge fan myself, so I could not be happier that Disney is able to share Peter Jackson’s stunning documentary with global audiences in September.”
“The Beatles: Get Back,” presented by The Walt Disney Studios in association with Apple Corps Ltd. and WingNut Films Productions Ltd., is an exciting new collaboration between The Beatles, the most influential band of all time, and three-time Oscar®-winning filmmaker Peter Jackson (“The Lord of the Rings” trilogy). Compiled from over 55 hours of unseen footage, filmed by Michael Lindsay-Hogg in 1969, and 140 hours of mostly unheard audio recordings from the “Let It Be” album sessions, “The Beatles: Get Back” is directed by Jackson and produced by Jackson, Clare Olssen (“They Shall Not Grow Old”) and Jonathan Clyde, with Ken Kamins and Apple Corps’ Jeff Jones serving as executive producers.
The footage has been restored by Park Road Post Production of Wellington, New Zealand, and is being edited by Jabez Olssen, who collaborated with Jackson on 2018’s “They Shall Not Grow Old,” the groundbreaking film which featured restored and colorized World War I archival footage. The music in the film will be mixed by Giles Martin and Sam Okell at Abbey Road Studios in London. With this pristine restoration behind it, “The Beatles: Get Back” will create a vivid, joyful and immersive experience for audiences.
Peter Jackson says, “Working on this project has been a joyous discovery. I’ve been privileged to be a fly on the wall while the greatest band of all time works, plays and creates masterpieces. I’m thrilled that Disney have stepped up as our distributor. There’s no one better to have our movie seen by the greatest number of people.”
Paul McCartney says, “I am really happy that Peter has delved into our archives to make a film that shows the truth about The Beatles recording together. The friendship and love between us comes over and reminds me of what a crazily beautiful time we had.”
Ringo Starr says, “I’m really looking forward to this film. Peter is great and it was so cool looking at all this footage. There was hours and hours of us just laughing and playing music, not at all like the version that came out. There was a lot of joy and I think Peter will show that. I think this version will be a lot more peace and loving, like we really were.”
“The Beatles: Get Back” is also being made with the enthusiastic support of Yoko Ono Lennon and Olivia Harrison.
Although the original “Let It Be” film, directed by Michael Lindsay-Hogg, and the accompanying album were filmed and recorded in January 1969, they were not released until May 1970, three weeks after The Beatles had officially broken up. The response to the film at the time by audiences and critics alike was strongly associated with that announcement. During the 15-month gap between the filming of “Let It Be” and its launch, The Beatles recorded and released their final studio album, “Abbey Road,” which came out in September 1969.
Shot on 16mm and blown up to 35mm, the 80-minute “Let It Be” movie was built around the three weeks of filming, including an edited version of the rooftop concert. The GRAMMY-winning “Let It Be” album topped the charts in the U.S. and the U.K.
The new documentary brings to light much more of the band’s intimate recording sessions for “Let It Be” and their entire 42-minute performance on the rooftop of Apple’s Savile Row London office. While there is no shortage of material of The Beatles’ extensive touring earlier in their careers, “The Beatles: Get Back” features the only notable footage of the band at work in the studio, capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr as they create their now-classic songs from scratch, laughing, bantering and playing to the camera.
Shot on January 30, 1969, The Beatles’ surprise rooftop concert marked the band’s first live performance in over two years and their final live set together. The footage captures interactions between the band members, reactions from fans and employees from nearby businesses, and comical attempts to stop the concert by two young London policemen responding to noise complaints.
A fully restored version of the original “Let It Be” film will be made available at a later date.
Kudos to Major League Baseball Commissioner Rob Manfred for the suspension of Astros manager A.J. Hinch and general manager Jeff Luhnow for their involvement in electronic sign stealing during the team’s 2017 World Series winning season.
Those weren’t the only penalty for the team and the manager and the g.m. The team was fined $5 million and lost its 2020 and 2021 first and second round draft choices.
One of our favorite things about the holiday season is that each December the Library of Congress announces the addition of 25 films to the National Film Registry.
In its announcement this year, Librarian of Congress Carla Hayden stated that the film were selected because of their cultural, historic and aesthetic importance to the nation’s film heritage. The films in the class of 2019 range from Prince’s 1984 autobiographical hit “Purple Rain” and Spike Lee’s 1986 breakout movie “She’s Gotta Have It” to Disney’s 1959 timeless fairy tale “Sleeping Beauty” and this year’s biggest public vote getter, Kevin Smith’s 1994 “Clerks.”
“The National Film Registry has become an important record of American history, culture and creativity,” said Hayden. “Unlike many other honors, the registry is not restricted to a time, place or genre. It encompasses 130 years of the full American cinematic experience – a virtual Olympiad of motion pictures. With the support of Congress, the studios and other archives, we are ensuring that the nation’s cinematic history will be around for generations to come.”
A musical biopic, a heartwarming tale about man’s best friend, early black cinema, a notorious real-life crime drama and the anatomy of war represent the diversity of the 2019 registry. They include blockbusters, documentaries, silent movies, animation and independent films. The 2019 selections bring the number of films in the registry to 775, which is a small fraction of the Library’s vast moving-image collection of more than 1.6 million items.
The list of 25 includes:
Becky Sharp (1935)
Before Stonewall (1984)
Body and Soul (1925)
Boys Don’t Cry (1999)
Coal Miner’s Daughter (1980)
Emigrants Landing at Ellis Island (1903)
Employees Entrance (1933)
Fog of War (2003)
George Washington Carver at Tuskegee Institute (1937)
One of the great things about baseball is that in many ways it is a time machine. It is about the game today, future stars and special moments of the past. In these photos by Ronald Hawkins, we see images of today, the future stars and Hall of Famers.
The 2019 season has been a good season for Reds prospects to make it to the major leagues. Below are pictures of two of the successful prospects while playing for the Louisville Bats. They did well initially after advancing, but the MLB season is a long one and these prospects faded after hot starts. advancing.
The Cincinnati Reds and St. Louis Cardinals have impressive halls of fame and figures around their stadiums commemorating the great moments of their past. The Reds are celebrating the 150-year anniversary of establishment of the first all professional team in professional baseball, which was based in Cincinnati. That team was disbanded after the 1870 season.
From the EAS comes this scary report based on a paper published in Geophysical Research Letters:
By combining 25 years of ESA satellite data, scientists have discovered that warming ocean waters have caused the ice to thin so rapidly that 24 percent of the glacier ice in West Antarctica is now affected.
A paper published in Geophysical Research Letters describes how the UK Centre for Polar Observation and Modelling (CPOM) used over 800 million measurements of Antarctic ice sheet height recorded by radar altimeter instruments on ESA’s ERS-1, ERS-2, Envisat and CryoSat satellite missions between 1992 and 2017.
The study also used simulations of snowfall over the same period produced by the RACMO regional climate model. Together, these measurements allow changes in ice-sheet height to be separated into those caused by meteorological events, which affect snow, and those caused by longer-term changes in climate, which affect ice.
The ice sheet has thinned by up to 122 metres in places, with the most rapid changes occurring in West Antarctica where ocean melting has triggered glacier imbalance. CPOM Director, Andy Shepherd, explained, “Parts of Antarctica have thinned by extraordinary amounts. So we set out to show how much was down to changes in climate and how much was instead due to weather.”
To do this, the team compared measurements of surface-height change with the simulated changes in snowfall. Where the signal was greater they attributed its origin to glacier imbalance.
They found that fluctuations in snowfall tend to drive small changes in height over large areas for a few years at a time, whereas the most pronounced changes in ice thickness coincide with signals of glacier imbalance that have persisted for decades.
Prof. Shepherd added, “Knowing how much snow has fallen has really helped us to isolate the glacier imbalance within the satellite record. We can see clearly now that a wave of thinning has spread rapidly across some of Antarctica’s most vulnerable glaciers, and their losses are driving up sea levelsaround the planet.
“After 25 years, the pattern of glacier thinning has spread across 24% of West Antarctica, and its largest ice streams – the Pine Island and Thwaites Glaciers – are now losing ice five times faster than they were in the 1990s.
“Altogether, ice losses from East and West Antarctica have added 4.6 mm of water to global sea level since 1992.”
ESA’s Marcus Engdahl, noted, “This is a fantastic demonstration of how satellite missions can help us to understand how our planet is changing. The polar regions are hostile environments and are extremely difficult to access from the ground. Because of this, the view from space is an essential tool for tracking the effects of climate change.”
Scientific results such as this are key to understanding how our planet works and how natural processes are being affected by climate change – and ice is a hot topic at ESA’s Living Planet Symposium, which is currently in full swing in Milan. This study demonstrates that the changing climate is causing real changes in the far reaches of the Antarctic.
(An unrelated note regarding this site: You will see below that this site is advertiser supported. Maybe someday, but in the three years of this site it hasn’t received a single penny from the ads you see on this site. If you click on the ads, there is a possibility we may eventually earn some money that this retiree could use, but we’re glad you’re reading this post regardless of whether you click on the ads. Thank you.)
For nearly 40 years, writer Jeff Swiatek and Ronald Hawkins have shared competing picks regarding the upcoming Major League Baseball season. The person with the most correct picks is the beneficiary of a dinner from his opponent.
This tradition began when the writers were working at a daily newspaper in Carlisle, Pa. Hawkins has moved many times and Swiatek a few times with both somehow ending up in Indiana. Despite the moves, the competition has continued unabated.
Hawkins has completed his 2019 predictions and has agreed to post them here. He confesses to being a lifelong Cincinnati Reds fan, but isn’t blinded to the challenges the team faces in the 150 anniversary of Cincinnati claiming the first all-professional team.
Major League Baseball Predictions
Division/Pennant/world series winners
East: Philadelphia Phillies
Central: Milwaukee Brewers
West: Los Angeles Dodgers
Wild Card: St. Louis Cardinals
Wild Card: Atlanta Braves
Braves over Cardinals
Dodgers over Braves
Phillies over Brewers
Phillies over Dodgers
East: New York Yankees
Central: Cleveland Indians
West: Houston Astros
Wild Card: Boston Red Sox
Wild Card: Tampa Bay Rays
Red Sox over Rays
Houston over Red Sox
Yankees over Cleveland
Houston over Yankees
Average: Jesse Winker
Home Runs: Christian Yelich
Wins: Max Scherzer
Average: Mookie Betts
Home Runs: Aaron Judge
Wins: Corey Kluber
win 87 games and barely miss the playoffs
Harper and Manny Machado each miss 26 games
benched for failing to hustle.
Yelich hits for the cycle again, the third time in two years, but this time it
isn’t against the Reds.
has a six hit game.
hits six homers over two games.
games are showed out in March and the first week of April
At long last, The Beatles have announced plans for a release of Let It Be and a new film to be put together by the great Peter Jackson. Here’s the Apple Corps. announcement:
London – January 30, 2019 – Apple Corps Ltd. and WingNut Films Ltd. are proud to announce an exciting new collaboration between The Beatles and the acclaimed Academy Award winning director Sir Peter Jackson.
The new film will be based around 55 hours of never-released footage of The Beatles in the studio, shot between January 2nd and January 31st, 1969. These studio sessions produced The Beatles’ Grammy Award winning album Let It Be, with its Academy Award winning title song. The album was eventually released 18 months later in May 1970, several months after the band had broken up.
The filming was originally intended for a planned TV special, but organically turned into something completely different, climaxing with The Beatles’ legendary performance on the roof of Apple’s Savile Row London office — which took place exactly 50 years ago today.Peter Jackson said, “The 55 hours of never-before-seen footage and 140 hours of audio made available to us, ensures this movie will be the ultimate ‘fly on the wall’ experience that Beatles fans have long dreamt about – it’s like a time machine transports us back to 1969, and we get to sit in the studio watching these four friends make great music together.” Although The Beatles were filmed extensively during the 1960s – in concerts, interviews and movies – this is the only footage of any note that documents them at work in the studio.The Let It Be album and movie, having been released in the months following The Beatles’ breakup, have often been viewed in the context of the struggle the band was going through at that time.
“I was relieved to discover the reality is very different to the myth,” continues Jackson, “After reviewing all the footage and audio that Michael Lindsay-Hogg shot 18 months before they broke up, it’s simply an amazing historical treasure-trove. Sure, there’s moments of drama – but none of the discord this project has long been associated with.
“Watching John, Paul, George, and Ringo work together, creating now-classic songs from scratch, is not only fascinating – it’s funny, uplifting and surprisingly intimate. …I’m thrilled and honored to have been entrusted with this remarkable footage – making the movie will be a sheer joy.”
Jackson will be working with his They Shall Not Grow Old partners, Producer Clare Olssen and Editor Jabez Olssen. The footage will be restored by Park Road Post of Wellington, New Zealand, to a pristine standard, using techniques developed for the WW1 documentary film which has been nominated for a BAFTA for best documentary.
The untitled film is currently in production and the release date will be announced in due course. This film is being made with the full co-operation of Sir Paul McCartney, Sir Ringo Starr, Yoko Ono Lennon, and Olivia Harrison. The Executive Producers are Ken Kamins for WingNut Films and Jeff Jones and Jonathan Clyde for Apple Corps.
Following the release of this new film, a restored version of the original Let It Be movie directed by Michael Lindsay-Hogg will also be made available.
Following the posting of a story about three books authors’ choices for the outstanding/best/favorite science fiction movies of all time, we asked a couple dozen people what they thought about the lists and what they might add or subtract.
We received some fascinating responses:
Joel Zakem, a currently retired attorney, is a longtime SF enthusiast who has been attending conventions for more than 50 years.
“Even though I have not seen any of the books, I will make a few observations. None of the lists appear to have mentioned ‘Bride of Frankenstein’ which, in many ways, is a stronger film than the original,” Zakem said. “On the TCM list, I would not included ‘Barbarella’ and I thought ‘Terminator 2’ (mentioned in both other books) is a better film than the first one.
“Other than that, I have no real problem with what TCM included, but I would have added ‘Quartermass and the Pit’ and ‘The Road Warrior.'”
Zakem said that he would not have included Star Trek and isn’t sure he would have included any Star Wars movies, even though he says they are important.
Keith Bradbury, owner of the Who North America store in Camby, Indiana, said he was disappointed that “Tron” wasn’t included in the TCM book. “I consider it to be one of the best Sci Fi movies because it contrasted faith vs. statism in a computer context,” he said.
Others he felt worthy of inclusion were “The Island” and “They Live.”
Bradbury said, “I do agree with much of the list. If I were going to do a rundown of my favorites (skipping the Flash Gordon serial), I would go: Metropolis, Things to Come, Forbidden Planet, Star Wars, Empire Strikes Back, Tron, They Live, The Island, Blade Runner, The Fifth Element, Logan’s Run, Planet of the Apes (original ONLY), Interstellar, 2001 (off the top of my head).”
Leanna Rogers, a nurse, said, “I really enjoyed your writing on this. I especially enjoyed that you included a lot more modern Sci-Fi films as well.
“I feel like the two lists that are compared really glossed over sci-fi films from 2000-present. I also really enjoyed the segment about era specific sci-fi and how the films’ themes reflect the fears/concerns of the times in which they were made, especially for young(ish) fans like myself who didn’t experience those eras firsthand.”
Rogers said if she were adding films one would be “Battle Royale” and a “Scanner Darkly. “I believe it wasn’t very well received so it might not be as iconic as the other films on this list … I’m biased because I love Philip K. Dick.”
Brian Culp, longtime SF enthusiast and former newspaper editor, questioned the way “The Matrix” was listed.
Culp said, “I have a hard time with the TCM people including ‘The Matrix,’ but not the full Matrix series (assuming that is the case). The first one can stand alone, but it is really helped along by the other two installments.”
Mike Rittenhouse, a musician in the band Five Year Mission and the owner of Hero House, said, “I believe I have the ‘101 Sci Fi’ book. And I agree that there are many films that are included/not included that I disagree with.
“But, in the end, it is just an opinion by the author. Not a definitive list. I find it interesting that the first book you mention completely overlooked Star Trek. Seems like a blatant use of author’s opinion vs. common opinion. Overall, an interesting article about the difference in books and opinions.”
Tracy Canfield, a published science fiction author and linguist capable of translating and speaking Klingon, said, “I’m glad Schneider mentioned ‘Primer’ – it’s rare to see hard SF in movies, and Primer is a great film from beginning to end. I’d also include Shane Carruth’s second film, ‘Upstream Color,’ on my list of great SF movies. … I recommend Upstream Color, but I have to warn you, it’s a lot of work.”
“Gattaca” is a great science fiction film too, she said.
” I wonder, though, if I’m thinking about this a little differently than De Forest (author of the TCM book) – if I were making a list of great science fiction films, I’d be thinking of films where the science fiction is great and not necessarily great movies where the science is just there to make exciting things happen (‘Jurassic Park,’ for example). …
“At the risk of contradicting myself, I might include ‘The World’s End’ on my own personal list. It’s a science fiction film by Edgar Wright and Sean Pegg, who are better known for movies like Shaun of the Dead. …’Dark City’ is a wonderful movie that didn’t seem to make anyone’s list. It would certainly make mine, though.”
Canfield said she would pick “Looper” over “Arrival,” which she says “has an equally implausible premise, and a distractingly weird idea of what linguistics is. …
“If I were making a list, I’d include a movie none of the other authors did: ‘Being John Malkovich.'”
Dr. Robert Pyatt, a college professor in South Dakota and presenter of fascinating science-related programs at science fiction gatherings, said, “I think the TCM book needs to define science fiction. Is Frankenstein sci-fi? The horror crowd would disagree.”
Wendy Carson and John Belden, co-hosts of PlaysWithJohnAndWendy.com, issued a combined response to the lists.
“I agree that it is incredibly difficult, if not impossible, to come up with a top-100 science fiction films of all time list,” they said. “All I can do, in seeing the attempts cited, is list some ‘what-abouts.’
“If we can list Charlton Heston’s ‘Planet of the Apes’ and ‘Soylent Green,’ what about “Marathon Man,” the original film version of “I Am Legend.”…
“The ’80s had more than just Star Wars knockoffs. ‘Enemy Mine’ should be counted among the greatest SF films of all time — two excellent actors at the top of their game, and a timeless message. If you looked beyond the comicbook-pulp fun of the original ‘RoboCop,’ there was timely and biting social satire that elevated the whole work. ‘Alien Nation’ was such a great allegory that it was spun off into a TV series.
Carson and Belden said the “Rocky Horror Picture Show,” “Rock and Rules,” “Heavy Metal” and “The Black Hole” deserve consideration.
“And despite SF gadetry, no one is mentioning ‘Ghostbusters’ or ‘Honey, I Shrunk the Kids.’ And let’s also note that if it weren’t for its MCU ties, ‘Guardians of the Galaxy’ would definitely be on the lists. “
Dan Carroll, director of media engagement at Dragon Con, said, “I am not one to impose my views on someone else’s list. I mean…lists should always be about favorites…not ‘best'”
Martin Ross, a retired journalist, said, “I liked the Gerani/Schneider list better, but then I’m a big fan of ‘50s-60s British sci-fi/horror, especially the Quatermass films, Five Million Years to Earth, and the original Village of the Damned (TMC’s preference for the sequel was a head-scratcher).
“I’m glad they also added more obscure oddballs like ‘Primer’ (I’m a sucker for time travel, though not always a found footage fan — the Statue of Liberty scene in ‘Cloverdale’ being an exception). …One of my personal favorites, though a bit slow in places, is ‘The Medusa Touch’ with Richard Burton, which leans toward horror but that offers a couple of semi-blower apocalyptic sci-fi touches.”
David Ross, actor, movie maker and former library director, said, “Some of my favorites are usually not the most popular or acknowledged, but I have no real argument with those chosen since Sci-fi has such wide fringe areas and people’s opinions may differ from mine, but I don’t care enough to argue. …
” I do think that George RR’s ‘Nightflyers’ movie was not as bad as the critics said. I actually found it more engaging than the Sy-Fy channel’s big budget interpretation.”
John T. Adams, a longtime association executive and former newpaper editor, said, “I haven’t seen all the films you mention, but I agree with you about the omissions of some of the more recent films. But maybe they’re too recent to make any of the published lists.
“I think one of the landmark films, since you mentioned the Cold War, is ‘The Day the Earth Stood Still,’ which is forward looking for its time. The alien is a good guy (not a space invader), and after failing to detain him the Americans mount a chase through D.C. and try to kill him. That’s not a typical Cold War plot. …
“If a flying saucer arrived today, would we try to shoot it down? Of course, there’s always ‘Men in Black’ and ‘Independence Day,’ where the aliens ARE the bad guys. And don’t leave out the zombie movies. Instead of the undead running down the streets, think of a horde of Mexican rapists, murderers and gang members. One could argue the zombie movies are inherently racist because we demonize The Other. “
Author John F. Allen said, “I think the choices are appropriate for their eras, although, I agree with certain ones you mentioned, which were excluded.”
Randy Porter works at IUPUI and has been very involved in SF-related events for decades including Gen Con.
Porter says he thinks a film has to be at least 20-years old to be considered a classic.
One of the films on the lists that caught his attention was “The Forbin Project.”
Porter said, “I haven’t seen it in forever. I love it. It would be worth a remake.”
“La jetee,” a short film that chiefly uses still images and narration to tell its story, is listed in two of the three books.
“It’s better than the ’12 Monkees’ remake,” Porter said.
Other films that Porter might put on his favorites list include “2001: A Space Odyssey,” “Buckaroo Bonzai,” “Demolition Man,” Ghost in the Shell” (Japanese/UK verion), and “Dune.”
“My favorite right now is ‘The Fifth Element,” Porter said.
“Delicattessen” and “Zog” also are worthy of attention, he said.
Porter would like to see more movies where science isn’t the bad guy.
“There are few movies where science isn’t the bad guy,” he said. “In Hollywood, the idea seems to be that technology is bad. Most people writing movies in Hollywood have no experience in technology.”
For many people, SF films, however, have been increasingly impressive.
Canfield said, “Even if I disagree with some of their picks, I think we’re living through a wonderful time for science fiction movies. When I was a kid, science fiction movies were rare – and, looking back, a lot of them were terrible.”
Since RDH Great Stories moved to Lawrence County, Indiana, we have been trying to track down the site of the abandoned pyramid and Great Wall of China models project.
The project began in the late 1970s and was abandoned in the early 1980s, left incomplete. It was the beneficiary of federal funding, but became the subject of considerable criticism.
It was awarded U.S. Sen. William Proxmire’s Golden Fleece Award. The Wisconsin senator issued the awards from 1975 until 1988, when he retired. He presented 168 of the awards.
The Taxpayers for Common Sense in 2000 listed the Bedford project funded by the Commerce Department as the second most classic example of “wasteful, ridiculous or ironic use of the taxpayers’ money.″
How much federal and other government funds were invested in the project is unclear. However, when the plug was pulled, there were insufficient funds to complete, according to published accounts
Over the past 35 years, the site has gradually deteriorated and is marked with no trespassing signs. The remains are located at the end of a state road near Judah, Ind., surrounded by a quarry, farm land, a cemetery, and homes.
On our third visit, we determined we had found the site. We observed the “no trespassing signs,” but took pictures from the road.
If you know who owns the property, please have them contact us. We’d like to take a closer look and ask a few questions.
This Turner Classic Movies and movie fan was delighted when Jeremy Arnold, author of “Christmas in the Movies: 30 classics to celebrate the season,” appeared as a guest to introduce a “Christmas movie.”
And what better way is there to enjoy a chilly, holiday evening?
The movie was “Beyond Tomorrow, a 1940 movie, this writer knew nothing about. After watching on TCM, however, we began looking at our collection of holiday movies and found the movie in a three-disc collection.
We also went looking to buy the book, but found it was on back order. So we ordered the ebook version.
It is an interesting book with several movies we didn’t think belonged on the list and others we didn’t know much about.
The movies that clearly belonged on the book include Holiday Inn (1942), Scrooge (1951), A Christmas Story (1983), Christmas in Connecticut (1945), It’s a Wonderful Life (1946), Miracle on 34th Street (1947), The Bishop’s Wife (1947), Love Actually (2003), Home Alone (1990), and The Shop Around the Corner (1940).
On the other hand, Die Hard doesn’t belong in the book even though it takes place during the holidays and has many Christmas elements in it. The movie, however, is far too violent to be a favorite Christmas movie.
Also, how could National Lampoon’s Christmas Vacation be one of the 30 and the delightful Santa Clause movies be excluded?
Those weren’t the only movies we think shouldn’t be included. While Elf is a holiday related movie, it isn’t very good. And we’ve also found The Nightmare Before Christmas rather distasteful.
Even though we don’t agree on everything that’s in the book and what’s excluded, books that list what the writers think is best in a particular field almost always are at least entertaining and an inspiration for discussions about what’s in the book. This book is delightfully fun and well worth reading.
You just might find a movie that will make your holidays a fun, festive time.
Here’s the complete list of the 30 movies in no particular order:
Miracle on Main Street
The Holly and the Ivy
We’re No Angels
The Shop Around the Corner
Remember the Night
The Man Who Came to Dinner
Christmas in Connecticut
Miracle on 34th Street
It’s a Wonderful Life
National Lampoon’s Christmas Vacation
The Nightmare Before Christmas
Remember the Night
A Christmas Story
The Lion in Winter
Meet Me in St. Louis
I’ll Be Seeing You
The Bishop’s Wife
Trail of Robin Hood
So get a hot beverage, get the movie you pick ready to watch and settle in your favorite seat.