And the nominees this year are …

It’s only a few hours before the winners of the 2017 Academy Awards are announced.

The nominees for Best Picture include:

  • Call Me By Your Name
  • Darkest Hour
  • Dunkirk
  • Get Out
  • Lady Bird
  • Phantom Thread
  • The Post
  • The Shape of Water
  • Three Billboards Outside Ebbing Missouri

 

In the Best Actor in a Leading Role Category: 

  • Timothée Chalamet, Call Me by Your Name
  • Daniel Day-Lewis, Phantom Thread
  • Daniel Kaluuya, Get Out
  • Gary Oldman, Darkest Hour
  • Denzel Washington, Roman J. Israel, Esq.

In the Best Actress category:

  • Sally Hawkins, The Shape of Water
  • Frances McDormand, Three Billboards
    outside Ebbing, Missouri
  • Margot Robbie, I, Tonya
  •  Saoirse Ronan, Lady Bird
  • Meryl Streep, The Post

Best Directing:

  • Dunkirk
  • Get Out
  • Lady Bird
  • Phantom Thread
  • The Shape of Water

Foreign Language Picture:

  • A Fantastic Woman
  • The Insult
  • Loveless
  • On Body and Soul
  • The Square

 

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Other Best Pictures

RDH Great Stories will be continuing its review/descriptions of the Academy Award for Best Picture winners, but since a new winner will be announced tonight it’s time to post a list of the winners since our last entry, which ended with the 1972 winner, “The Godfather.”

Best Picture winners

And the winners were:

1973: The Sting
1974: The Godfather, Part 2
1975: One Flew Over the Cuckoos Nest
1976: Rocky
1977: Annie Hall
1978: The Deer Hunter
1979: Kramer vs. Kramer
1980: Ordinary People
1981: Chariots of Fire
1982: Gandhi
1983: Terms of Endearment
1984: Amadeus
1985: Out of Africa
1986: Platoon
1987: The Last Emperor
1988: Rain Man
1989: Driving Miss Daisy
1990: Dances with Wolves
1991: The Silence of the Lambs
1992: Unforgiven
1993: Schlinder’s List
1994: Forrest Gump
1995: Braveheart
1996: The English Patient
1997: Titanic
1998: Shakespeare in Love
1999: American Beauty
2000: Gladiator
2001: A Beautiful Mind
2002: Chicago
2003: Lord of the Rings: the Return of the King
2004: Million Dollar Baby
2005: Crash
2006: The Departed
2007: No Country For Old Men
2008: Slum Do Millionaire
2009: The Hurt Locker
2010: The King’s List
2011: The Artist
2012: Argo
2013: 12 Years a Slave
2014: Birdman or (the Unexpected Virtue of Ignorance)
2015: Spotlight
2016: Moonlight
2017: ??? We should learn tonight.

Baseball exhibit open through March 31

The “Baseball Dreams and Memories” exhibit at the Martinsville main branch of the Morgan County Public Library is now open and is scheduled to there through March 31. The library is open seven days per week, but the hours vary depending on the day of the week. For more information about the library, http://morgancountylibrary.info/

Here’s a taste of what of what the exhibit looks like:

Baseball exhibit opens today

The RDH Great  Stories month long Baseball exhibit is scheduled to open today at the Martinsville, Ind., main branch of the Morgan County Public Library.

The library is open seven days per week, but the hours vary depending on the day of the week. For details about library  at 110 S. Jefferson St., Martinsville, Ind., go to http://morgancountylibrary.info/

Hall of Famers

The exhibit includes items related to multiple major league and minor league professional teams.

Baseball greats
Scandals

1968-1972: An edgy era of winning films

(Editor’s note: This is the ninth part in a multi-part series on the winners of the Academy Award for Best Picture. They are being presented in chronological order with “Wings,” the first winner, included among the movies reviewed and/or described in the first part.)

The five Oscar winners for Best Picture winners between 1968 and 1972 all had a certain edgy quality to them, even the musical “Oliver,” based on a Charles Dickens book and the stage musical, fits that description.

Those films were certainly reflective of the times with social upheavals, the U.S. presidency of Richard M. Nixon, the ongoing Vietnam War and many other issues shaking the times.

Oliver!, 1968, directed by Carol Reed

Oliver-1968
Mark Lester as Oliver seeking more food.

“Oliver!,” the 1968 Academy Award Best Picture winner, not only leaves one humming some of its tunes, but thinking about some of the issues the story raises.

Based on Charles Dickens’ “Oliver Twist,” the movie is story is about a young boy swept into a gang of youthful thieves. It’s a story about poverty, too, and what it forces some people to do. That is still a very relevant issue today at it was in 1968 and when Dickens novel was first published as a serial between 1837–39.

At a little more than 2-1/2 hours, Oliver! is plenty of entertainment per entertainment dollar in addition to being thought-provoking. The memorable songs include “Consider Yourself Part of the Family,” “I’ll Do Anything,” “Food Glorious Food,” and “As Long as He Needs Me.”

The cast includes Ron Moody, Shani Walls, Oliver Reed, Mark Lester, Jack Wild and Hugh Griffith.

Other contenders for Best Picture in 1968 included “Funny Girl,” “The Lion in Winter,” and “Romeo and Juliet.”

Midnight Cowboy, 1969, directed by John Schlesinger

Although its original rating has been changed, “Midnight Cowboy” is the only Best Picture winner with the distinction of having a “X” rating when it was first released.

The film had been approved with an “R,” but after United Artist executives consulted a psychologist who said that the “homosexual frame of reference” and its “possible influence upon youngsters,” the studio agreed to accept the X rating. The Motion Picture Association of America ultimately changed its rating system and the movie got its R rating.

This is a gritty film about a naive, young Texas man, played by Jon Voight, who thinks he can make a great living as a gigolo in New York City. Once there, he meets the street-savvy, homeless, dying Ratso, played by Dustin Hoffman.

In “Midnight Cowboy,” Hoffman as Ratso yells one of the all-time classic movie lines as he walks across NYC street traffic: ” “I’m walkin’ here!” That line reached No. 27 on the American Film Institute’s “100 Years…100 Movie Quotes.” Additionally, the song “Everybody’s Talkin’,'” which is featured throughout the movie, won Harry Nilsson a Grammy Award for Best Male Vocal Performance

In many ways, this is a very down movie, but sadly the story of beautiful dreams destroyed by harsh realities is still a true story for many people today.

The other contenders for the 1969 Best Picture Award included “Anne of the Thousand Days,” “Butch Cassidy and the Sundance Kid,” “Hello Dolly,” and “Z.”

Patton, 1970, directed by Franklin J. Schaffner

The Academy Award Best Picture winning “Patton” is described as a milestone in screen bio-pics by many critics.

Patton 1
George C.. Scott as Gen. Patton in “Patton”

George C. Scott extensively studied the brilliant, eccentric Gen. George S. Patton in preparing for the role. Scott displays the brilliance and the temper of the general, who was a major figure in World War II.

Scott, who won the Best Actor Award, had refused the Oscar nomination but won the award anyway. In a letter to the Academy, he stated that he did not feel himself to be in competition with other actors.

In addition to Scott, actors in the film included Karl Malden, Stephen Young and, if you dig further down in the credits, Tim Considine.

Other contenders for the 1970 Best Picture award included “Airport,” “Five Easy Pieces,” and “M*A*S*H.”

The French Connection, 1971, directed by William Friedkin

“The French Connection,” the 1971 Best Picture winner, is a high-energy, landmark film about international smuggling of heroin into New York City and a maverick detective’s efforts to try to stop it.

The great chase scenes through NYC streets are among the greatest in film history, which earned the film editors a well-deserved Oscar.. You will catch yourself moving back and forth in your seat (if you can manage to stay in it) trying to dodge the cars.

Gene Hackman is the star of this film, but the great cast also includes Fernando Rey, Roy Scheider, and Tony LoBianco.

Other nominees for the 1971 Best Picture honor included “Clockwork Orange,” “Fiddler on the Roof,” “The Last Picture Show,” and “Nicholas and Alexandra.”

The Godfather, 1974, Francis Ford Coppola

Hollywood has given us many notable gangster or mob films, but the two Oscar Best Picture winning “Godfather” movies gave us a greater sense of that world than ever before.

“The Godfather,” 1972, and “The Godfather Part 2, 1974, hold the distinction of being the only films that both the original and the sequel won the Academy Award for Best Picture.

In the first movie, we see Marlon Brando as Vito Corleone, the “godfather,” in a role that some critics view as his greatest film performance. The other members of this great cast include Al Pacino, James Caan, Diane Keaton, Talia Shire, Robert Duvall, Sterling Hayden, Abe Vigoda, singer Al Martino, and Alex Rocco.

This is a story about gangsters, but also one about families, not just crime families but in this case about Italian families seeking their version of the American dream and power.

It’s hard to imagine any other movie winning the 1972 Oscar for Best Picture than this Francis Ford Coppola masterpiece, but the other contenders included “Cabaret,””Deliverance,” “Sounder.”

EPSON MFP image
Marlon Brando As Vito Corleone in “The Godfather.”

 

1963-1967: Social issues, musicals, earthy comedy films win top honors

(Editor’s note: This is the eighth part in a multi-part series on the winners of the Academy Award for Best Picture. They are being presented in chronological order with “Wings,” the first winner, included among the movies reviewed and/or described in the first part.)

The five years from 1963-1967 were years of great diversity and competition for the Academy Award for Best Picture. They were in a variety of genres. The stories happened in the United States Deep South, England, and Austria.

 

EPSON MFP image

“Tom Jones,” 1963, directed by Tony Richardson.

The young, hilarious and clever Albert Finney as Tom Jones helps make the somewhat bawdy “Tom Jones” comedy a delight to watch. It’s based on the novel by Henry Fielding about the wild life of a playboy in 18th century rural England.

When the film premiered in October 1963, The New York Times critic wrote, “Prepare yourself for what is surely one of the wildest, bawdiest and funniest comedies that a refreshingly agile filmmaker has ever brought to the screen. …They have whipped up a roaring entertainment that develops its own energy (not just from the massive book) as much as from its cinematic gusto as from the racy material it presents.”

In addition to Finney, the cast includes Susannah York, Hugh Griffith,and Dame Edith Evans.

The others seeking the 1963 Best Picture award included “Cleopatra,” “How the West Was Won,” and “Lilies of the Field.”

“My Fair Lady,” 1964, directed by George Cukor

“My Fair Lady,” which won the 1964 Best Picture Award is one of this writer’s favorite musicals, but there may have been better films that were nominated for the 1964 honor.

In my childhood home, I grew up hearing my father play over and over the Original Broadway Cast soundtrack of “My Fair Lady,” which featured Julie Andrews as Eliza Doolittle. Andrews was replaced in the movie by Audrey Hepburn. The songs are permanently ingrained in my head.

“My Fair Lady” is based on George Bernard Shaw’s “Pygmalion.” The tale is about pompous phonetics professor Henry Higgins (Rex Harrison) who is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of “high society.” His subject turns out to be the lovely Eliza Doolittle, who agrees to speech lessons to improve her job prospects. Higgins and Eliza clash, then form an unlikely bond — one that is threatened by an aristocratic suitor.

Even though this is a great musical that I love, my preference for the 1964 best picture might have been (if I wasn’t in my early teen years at the time) “Dr. Strangelove or How I learned to Stop Worrying and Love the Bomb.” Peter Sellers is magnificent playing three characters in this Stanley Kubrick classic satire.

Other contenders for best picture included “Becket,” “Mary Poppins.” and “Zorba the Greek.” By the way, Julie Andrews, although not cast in the Best Picture-winning “My Fair Lady,” was compensated with a Best Actress award for her dazzling performance in the title role of “Mary Poppins.”

“The Sound of Music,” 1965, directed by Robert Wise

The Academy Award Best Picture winning “The Sound of Music”was based on the true story of the von Trapp family. It was loved by many, but not all.

Star Christopher Plummer wasn’t a fan of the movie. He said in a recent Hollywood Reporter interview, “Because it was so awful and sentimental and gooey. You had to work terribly hard to try to infuse some miniscule bit of humor into it.”

EPSON MFP image
Julie Andrews in “The Sound of Music”

in the Hawkins family, my mother and sister went to see the movie in a downtown Louisville movie theater while my father and I headed to Crosley Field in Cincinnati to see the Reds play (it was a much better team then) that same day

It took me decades to get past this masculine bias against the movie, but when I finally viewed it I enjoyed it and realized that it wasn’t a threat to my masculinity.

The songs such as “Maria,” “My Favorite Things,””Climb Every Mountain” and “Do Re Mi” are memorable, if a bit saccharine for some tastes. The story of the family’s music and its escape from the threat of the Nazis is a worthy story for the Best Picture Oscar.

Other contenders for the 1965 Best Picture honor included “Doctor Zhivago.” Ship of Fools,” and “A Thousand Clowns.”

 

A Man for All Seasons, 1966, directed by Fred Zinnemann

“A Man for All Seasons, the 1966 Best Picture winner, was another winner based on a great Broadway play.

This winner is about ethics in addition to being an excellent historic drama. It is the story of the heroic Sir Thomas More resisting King Henry VIII’s demands that More give in and sanction his marriage to Anne Boleyn.

The New York Times reviewer stated, “‘A Man for All Seasons’ is a picture that inspires admiration, courage, and thought.”

The great cast includes Paul Scofield as More, Robert Shaw as the king, Wendy Hiller, Leo McKern, Orson Welles, Susannah York, John Hurt, and Vanessa Redgrave.

Other nominees for the 1966 Best Picture honor included “Alfie,” “The Russians Are Coming The Russians Are Coming,” and “Who’s Afraid of Virginia Woolf?”

In the Heat of the Night, 1967, directed by Norman Jewison

“In the Heat of the Night,” the 1967 Best Picture winner, was true to the dangerous times of the 1960s. It’s about a black detective from Philadelphia who is in the Deep South when a murder takes place and he is picked up as a suspect.

Sidney Poitier delivers a spot-on performance as Detective Virgil Tibbs and Rod Steiger delivers a stinging performance as Police Chief Bill Gillespie. Tibbs ultimately helps solve the murder. The confrontations between Tibbs and Gillespie during the course of events is fascinating.

When Tibbs is asked by the racist southerners what people call him back home, Poitier delivers masterfully the “They call me Mr. Tibbs” line, one of the great lines in movie history.

Others in the cast include Warren Oates and Lee Grant.

Other nominees for the 1967 honor included “Bonnie and Clyde,” “The Graduate,” and “Guess Who’s Coming to Dinner.”

 

In-the-Heat-of-the-Night-1967-01-15-52
From  left, Virgil Tibbs (Sidney Poitier) and Police Chief Bill Gillespie (Rod Steiger) argue about a murder case in “In the Heat of the Night.”

 

 

Three Billboards Outside Ebbing wins top British Academy awards

BAFTA
LONDON — “Three Billboards Outside Ebbing, Missouri” has won the top 2018  EE British Academy Film Awards honors. The awards were announced Sunday at a ceremony in Royal Albert Hall, London, on Sunday.
Three Billboards Outside Hibbing
Frances McDermond in “Three Billboards Outside Ebbing, Missouri,” the winner of the top British film award for 2018.

As announced by BAFTA in its press release here’s the rundown on the winners:

Five BAFTAs for “Three Billboards Outside Ebbing, Missouri:” Best Film, Outstanding British Film, Leading Actress (Frances McDermond), Supporting Actor and Original Screenplay
Gary Oldman wins Leading Actor for “Darkest Hour.”
Guillermo del Toro wins Director for “The Shape of Water>”
Daniel Kaluuya wins the EE Rising Star Award.

Sam Rockwell for supporting actor for “Three Billboards. …”

Martin McDonagh for Original Screenplay,  for  “Three Billboards….”

Supporting Actress went to Allison Janney for her role as Tonya Harding’s mother in “I, Tonya.”

“The Shape of Water” won three awards. In addition to director, the Original Music Award went to composer Alexandre Desplat, and the film also won Production Design.

Roger Deakins won his fourth BAFTA for Cinematography for “Blade Runner 2049,”which also won for Special Visual Effects.

Raoul Peck won the Documentary award for “I Am Not Your Negro.” ”

Film Not in the English Language was won by South Korean drama “The Handmaiden.”

“Coco” took the BAFTA for Animated Film.

Writer/director Rungano Nyoni and producer Emily Morgan received the award for Outstanding Debut by a British Writer, Director or Producer for “I Am Not a Witch.”

“Baby Driver” received the BAFTA for Editing; “Phantom Thread” won for Costume Design;. James Ivory won for Adapted Screenplay for “Call Me by Your Name;” “Dunkirk”for Sound;. “Cowboy Dave” won the British Short Film award.

The Special Award for Outstanding British Contribution to Cinema was presented to the National Film and Television School (NFTS). The school has trained generations of BAFTA-nominated film talent; this year’s British Short Animation award was won by Poles Apart, which is the 13th NFTS graduation film to win a BAFTA.

The Fellowship, the highest honor the Academy can bestow, was presented to director and producer Sir Ridley Scott by HRH The Duke of Cambridge, president of BAFTA, and Sir Kenneth Branagh.

The ceremony featured performances by Cirque du Soleil and the Kanneh-Mason family.

In addition, all of the nominated short films are now available online at  https://www.curzonhomecinema.com/.

About BAFTA
The British Academy of Film and Television Arts (BAFTA) is a world-leading independent arts charity that brings the very best work in film, games and television to public attention and supports the growth of creative talent in the UK and internationally. Through its Awards ceremonies and year-round programme of learning events and initiatives – which includes workshops, masterclasses, scholarships, lectures and mentoring schemes in the UK, USA and Asia – BAFTA identifies and celebrates excellence, discovers, inspires and nurtures new talent, and enables learning and creative collaboration.  For more, visit www.bafta.org.