It is less than a week before the U.S. Academy Award winners are announced, but the British EE British Academy Film Awards were issued last month. Frequently, these honors are a clue as to which films might win the Oscars, which will be handed out Feb. 24.
Some of the winners of the British awards:
BLACKkKLANSMAN Jason Blum, Spike Lee, Raymond Mansfield, Sean McKittrick, Jordan Peele
THE FAVOURITE Ceci Dempsey, Ed Guiney, Yorgos Lanthimos, Lee Magiday
GREEN BOOK Jim Burke, Brian Currie, Peter Farrelly, Nick Vallelonga, Charles B. Wessler
Winner – ROMA Alfonso Cuarón, Gabriela Rodríguez
A STAR IS BORN Bradley Cooper, Bill Gerber, Lynette Howell Taylor
OUTSTANDING BRITISH FILM
BEAST Michael Pearce, Kristian Brodie, LaureBEAST Michael Pearce, Kristian Brodie, Lauren Dark, Ivana MacKinnon
BOHEMIAN RHAPSODY Graham King, Anthony McCarten
Winner – THE FAVOURITE Yorgos Lanthimos, Ceci Dempsey, Ed Guiney, Lee Magiday, Deborah Davis, Tony McNamara
McQUEEN Ian Bonhôte, Peter Ettedgui, Andee Ryder, Nick Taussig
STAN & OLLIE Jon S. Baird, Faye Ward, Jeff Pope
YOU WERE NEVER REALLY HERE Lynne Ramsay, Rosa Attab, Pascal Caucheteux, James Wilson
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
APOSTASY Daniel Kokotajlo (Writer/Director)
Winner – BEAST Michael Pearce (Writer/Director), Lauren Dark (Producer)
A CAMBODIAN SPRING Chris Kelly (Writer/Director/Producer)
PILI Leanne Welham (Writer/Director), Sophie Harman (Producer)
RAY & LIZ Richard Billingham (Writer/Director), Jacqui Davies (Producer)
FILM NOT IN THE ENGLISH LANGUAGE
CAPERNAUM Nadine Labaki, Khaled Mouzanar
COLD WAR Paweł Pawlikowski, Tanya Seghatchian, Ewa Puszczyńska
DOGMAN Matteo Garrone
Winner – ROMA Alfonso Cuarón, Gabriela Rodríguez
SHOPLIFTERS Hirokazu Kore-eda, Kaoru Matsuzaki
Winner – FREE SOLO Elizabeth Chai Vasarhelyi, Jimmy Chin, Shannon Dill, Evan Hayes
McQUEEN Ian Bonhôte, Peter Ettedgui
RBG Julie Cohen, Betsy West
THEY SHALL NOT GROW OLD Peter Jackson, Clare Olssen
THREE IDENTICAL STRANGERS Tim Wardle, Grace Hughes-Hallett, Becky Read
INCREDIBLES 2 Brad Bird, John Walker
ISLE OF DOGS Wes Anderson, Jeremy Dawson
Winner – SPIDER-MAN: INTO THE SPIDER-VERSE Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord
BLACKkKLANSMAN Spike Lee
COLD WAR Paweł Pawlikowski
THE FAVOURITE Yorgos Lanthimos
Winner – ROMA Alfonso Cuarón
A STAR IS BORN Bradley Cooper
COLD WAR Janusz Głowacki, Paweł Pawlikowski
Winner – THE FAVOURITE Deborah Davis, Tony McNamara
GREEN BOOK Brian Currie, Peter Farrelly, Nick Vallelonga
ROMA Alfonso Cuarón
VICE Adam McKay
Winner – BLACKkKLANSMAN Spike Lee, David Rabinowitz, Charlie Wachtel, Kevin Willmott
CAN YOU EVER FORGIVE ME? Nicole Holofcener, Jeff Whitty
FIRST MAN Josh Singer
IF BEALE STREET COULD TALK Barry Jenkins
A STAR IS BORN Bradley Cooper, Will Fetters, Eric Roth
GLENN CLOSE The Wife
LADY GAGA A Star Is Born
MELISSA McCARTHY Can You Ever Forgive Me?
Winner – OLIVIA COLMAN The Favourite
VIOLA DAVIS Widows
BRADLEY COOPER A Star Is Born
CHRISTIAN BALE Vice
Winner – RAMI MALEK Bohemian Rhapsody
STEVE COOGAN Stan & Ollie
VIGGO MORTENSEN Green Book
AMY ADAMS Vice
CLAIRE FOY First Man
EMMA STONE The Favourite
MARGOT ROBBIE Mary Queen of Scots
Winner – RACHEL WEISZ The Favourite
ADAM DRIVER BlacKkKlansman
Winner – MAHERSHALA ALI Green Book
RICHARD E. GRANT Can You Ever Forgive Me?
SAM ROCKWELL Vice
TIMOTHÉE CHALAMET Beautiful Boy
BLACKkKLANSMAN Terence Blanchard
IF BEALE STREET COULD TALK Nicholas Britell
ISLE OF DOGS Alexandre Desplat
MARY POPPINS RETURNS Marc Shaiman
Winner – A STAR IS BORN Bradley Cooper, Lady Gaga, Lukas Nelson
At long last, The Beatles have announced plans for a release of Let It Be and a new film to be put together by the great Peter Jackson. Here’s the Apple Corps. announcement:
London – January 30, 2019 – Apple Corps Ltd. and WingNut Films Ltd. are proud to announce an exciting new collaboration between The Beatles and the acclaimed Academy Award winning director Sir Peter Jackson.
The new film will be based around 55 hours of never-released footage of The Beatles in the studio, shot between January 2nd and January 31st, 1969. These studio sessions produced The Beatles’ Grammy Award winning album Let It Be, with its Academy Award winning title song. The album was eventually released 18 months later in May 1970, several months after the band had broken up.
The filming was originally intended for a planned TV special, but organically turned into something completely different, climaxing with The Beatles’ legendary performance on the roof of Apple’s Savile Row London office — which took place exactly 50 years ago today.Peter Jackson said, “The 55 hours of never-before-seen footage and 140 hours of audio made available to us, ensures this movie will be the ultimate ‘fly on the wall’ experience that Beatles fans have long dreamt about – it’s like a time machine transports us back to 1969, and we get to sit in the studio watching these four friends make great music together.” Although The Beatles were filmed extensively during the 1960s – in concerts, interviews and movies – this is the only footage of any note that documents them at work in the studio.The Let It Be album and movie, having been released in the months following The Beatles’ breakup, have often been viewed in the context of the struggle the band was going through at that time.
“I was relieved to discover the reality is very different to the myth,” continues Jackson, “After reviewing all the footage and audio that Michael Lindsay-Hogg shot 18 months before they broke up, it’s simply an amazing historical treasure-trove. Sure, there’s moments of drama – but none of the discord this project has long been associated with.
“Watching John, Paul, George, and Ringo work together, creating now-classic songs from scratch, is not only fascinating – it’s funny, uplifting and surprisingly intimate. …I’m thrilled and honored to have been entrusted with this remarkable footage – making the movie will be a sheer joy.”
Jackson will be working with his They Shall Not Grow Old partners, Producer Clare Olssen and Editor Jabez Olssen. The footage will be restored by Park Road Post of Wellington, New Zealand, to a pristine standard, using techniques developed for the WW1 documentary film which has been nominated for a BAFTA for best documentary.
The untitled film is currently in production and the release date will be announced in due course. This film is being made with the full co-operation of Sir Paul McCartney, Sir Ringo Starr, Yoko Ono Lennon, and Olivia Harrison. The Executive Producers are Ken Kamins for WingNut Films and Jeff Jones and Jonathan Clyde for Apple Corps.
Following the release of this new film, a restored version of the original Let It Be movie directed by Michael Lindsay-Hogg will also be made available.
Following the posting of a story about three books authors’ choices for the outstanding/best/favorite science fiction movies of all time, we asked a couple dozen people what they thought about the lists and what they might add or subtract.
We received some fascinating responses:
Joel Zakem, a currently retired attorney, is a longtime SF enthusiast who has been attending conventions for more than 50 years.
“Even though I have not seen any of the books, I will make a few observations. None of the lists appear to have mentioned ‘Bride of Frankenstein’ which, in many ways, is a stronger film than the original,” Zakem said. “On the TCM list, I would not included ‘Barbarella’ and I thought ‘Terminator 2’ (mentioned in both other books) is a better film than the first one.
“Other than that, I have no real problem with what TCM included, but I would have added ‘Quartermass and the Pit’ and ‘The Road Warrior.'”
Zakem said that he would not have included Star Trek and isn’t sure he would have included any Star Wars movies, even though he says they are important.
Keith Bradbury, owner of the Who North America store in Camby, Indiana, said he was disappointed that “Tron” wasn’t included in the TCM book. “I consider it to be one of the best Sci Fi movies because it contrasted faith vs. statism in a computer context,” he said.
Others he felt worthy of inclusion were “The Island” and “They Live.”
Bradbury said, “I do agree with much of the list. If I were going to do a rundown of my favorites (skipping the Flash Gordon serial), I would go: Metropolis, Things to Come, Forbidden Planet, Star Wars, Empire Strikes Back, Tron, They Live, The Island, Blade Runner, The Fifth Element, Logan’s Run, Planet of the Apes (original ONLY), Interstellar, 2001 (off the top of my head).”
Leanna Rogers, a nurse, said, “I really enjoyed your writing on this. I especially enjoyed that you included a lot more modern Sci-Fi films as well.
“I feel like the two lists that are compared really glossed over sci-fi films from 2000-present. I also really enjoyed the segment about era specific sci-fi and how the films’ themes reflect the fears/concerns of the times in which they were made, especially for young(ish) fans like myself who didn’t experience those eras firsthand.”
Rogers said if she were adding films one would be “Battle Royale” and a “Scanner Darkly. “I believe it wasn’t very well received so it might not be as iconic as the other films on this list … I’m biased because I love Philip K. Dick.”
Brian Culp, longtime SF enthusiast and former newspaper editor, questioned the way “The Matrix” was listed.
Culp said, “I have a hard time with the TCM people including ‘The Matrix,’ but not the full Matrix series (assuming that is the case). The first one can stand alone, but it is really helped along by the other two installments.”
Mike Rittenhouse, a musician in the band Five Year Mission and the owner of Hero House, said, “I believe I have the ‘101 Sci Fi’ book. And I agree that there are many films that are included/not included that I disagree with.
“But, in the end, it is just an opinion by the author. Not a definitive list. I find it interesting that the first book you mention completely overlooked Star Trek. Seems like a blatant use of author’s opinion vs. common opinion. Overall, an interesting article about the difference in books and opinions.”
Tracy Canfield, a published science fiction author and linguist capable of translating and speaking Klingon, said, “I’m glad Schneider mentioned ‘Primer’ – it’s rare to see hard SF in movies, and Primer is a great film from beginning to end. I’d also include Shane Carruth’s second film, ‘Upstream Color,’ on my list of great SF movies. … I recommend Upstream Color, but I have to warn you, it’s a lot of work.”
“Gattaca” is a great science fiction film too, she said.
” I wonder, though, if I’m thinking about this a little differently than De Forest (author of the TCM book) – if I were making a list of great science fiction films, I’d be thinking of films where the science fiction is great and not necessarily great movies where the science is just there to make exciting things happen (‘Jurassic Park,’ for example). …
“At the risk of contradicting myself, I might include ‘The World’s End’ on my own personal list. It’s a science fiction film by Edgar Wright and Sean Pegg, who are better known for movies like Shaun of the Dead. …’Dark City’ is a wonderful movie that didn’t seem to make anyone’s list. It would certainly make mine, though.”
Canfield said she would pick “Looper” over “Arrival,” which she says “has an equally implausible premise, and a distractingly weird idea of what linguistics is. …
“If I were making a list, I’d include a movie none of the other authors did: ‘Being John Malkovich.'”
Dr. Robert Pyatt, a college professor in South Dakota and presenter of fascinating science-related programs at science fiction gatherings, said, “I think the TCM book needs to define science fiction. Is Frankenstein sci-fi? The horror crowd would disagree.”
Wendy Carson and John Belden, co-hosts of PlaysWithJohnAndWendy.com, issued a combined response to the lists.
“I agree that it is incredibly difficult, if not impossible, to come up with a top-100 science fiction films of all time list,” they said. “All I can do, in seeing the attempts cited, is list some ‘what-abouts.’
“If we can list Charlton Heston’s ‘Planet of the Apes’ and ‘Soylent Green,’ what about “Marathon Man,” the original film version of “I Am Legend.”…
“The ’80s had more than just Star Wars knockoffs. ‘Enemy Mine’ should be counted among the greatest SF films of all time — two excellent actors at the top of their game, and a timeless message. If you looked beyond the comicbook-pulp fun of the original ‘RoboCop,’ there was timely and biting social satire that elevated the whole work. ‘Alien Nation’ was such a great allegory that it was spun off into a TV series.
Carson and Belden said the “Rocky Horror Picture Show,” “Rock and Rules,” “Heavy Metal” and “The Black Hole” deserve consideration.
“And despite SF gadetry, no one is mentioning ‘Ghostbusters’ or ‘Honey, I Shrunk the Kids.’ And let’s also note that if it weren’t for its MCU ties, ‘Guardians of the Galaxy’ would definitely be on the lists. “
Dan Carroll, director of media engagement at Dragon Con, said, “I am not one to impose my views on someone else’s list. I mean…lists should always be about favorites…not ‘best'”
Martin Ross, a retired journalist, said, “I liked the Gerani/Schneider list better, but then I’m a big fan of ‘50s-60s British sci-fi/horror, especially the Quatermass films, Five Million Years to Earth, and the original Village of the Damned (TMC’s preference for the sequel was a head-scratcher).
“I’m glad they also added more obscure oddballs like ‘Primer’ (I’m a sucker for time travel, though not always a found footage fan — the Statue of Liberty scene in ‘Cloverdale’ being an exception). …One of my personal favorites, though a bit slow in places, is ‘The Medusa Touch’ with Richard Burton, which leans toward horror but that offers a couple of semi-blower apocalyptic sci-fi touches.”
David Ross, actor, movie maker and former library director, said, “Some of my favorites are usually not the most popular or acknowledged, but I have no real argument with those chosen since Sci-fi has such wide fringe areas and people’s opinions may differ from mine, but I don’t care enough to argue. …
” I do think that George RR’s ‘Nightflyers’ movie was not as bad as the critics said. I actually found it more engaging than the Sy-Fy channel’s big budget interpretation.”
John T. Adams, a longtime association executive and former newpaper editor, said, “I haven’t seen all the films you mention, but I agree with you about the omissions of some of the more recent films. But maybe they’re too recent to make any of the published lists.
“I think one of the landmark films, since you mentioned the Cold War, is ‘The Day the Earth Stood Still,’ which is forward looking for its time. The alien is a good guy (not a space invader), and after failing to detain him the Americans mount a chase through D.C. and try to kill him. That’s not a typical Cold War plot. …
“If a flying saucer arrived today, would we try to shoot it down? Of course, there’s always ‘Men in Black’ and ‘Independence Day,’ where the aliens ARE the bad guys. And don’t leave out the zombie movies. Instead of the undead running down the streets, think of a horde of Mexican rapists, murderers and gang members. One could argue the zombie movies are inherently racist because we demonize The Other. “
Author John F. Allen said, “I think the choices are appropriate for their eras, although, I agree with certain ones you mentioned, which were excluded.”
Randy Porter works at IUPUI and has been very involved in SF-related events for decades including Gen Con.
Porter says he thinks a film has to be at least 20-years old to be considered a classic.
One of the films on the lists that caught his attention was “The Forbin Project.”
Porter said, “I haven’t seen it in forever. I love it. It would be worth a remake.”
“La jetee,” a short film that chiefly uses still images and narration to tell its story, is listed in two of the three books.
“It’s better than the ’12 Monkees’ remake,” Porter said.
Other films that Porter might put on his favorites list include “2001: A Space Odyssey,” “Buckaroo Bonzai,” “Demolition Man,” Ghost in the Shell” (Japanese/UK verion), and “Dune.”
“My favorite right now is ‘The Fifth Element,” Porter said.
“Delicattessen” and “Zog” also are worthy of attention, he said.
Porter would like to see more movies where science isn’t the bad guy.
“There are few movies where science isn’t the bad guy,” he said. “In Hollywood, the idea seems to be that technology is bad. Most people writing movies in Hollywood have no experience in technology.”
For many people, SF films, however, have been increasingly impressive.
Canfield said, “Even if I disagree with some of their picks, I think we’re living through a wonderful time for science fiction movies. When I was a kid, science fiction movies were rare – and, looking back, a lot of them were terrible.”
The question of what are the best science fiction films is frequently the subject of heated debates between academics, SF fans and people who just like movies.
Last May, Turner Classic Movies entered the fray with “Must-See Sci-Fi: 50 Movies That Are Out of This World,” a beautiful 280-page book by Sloan De Forest with an introduction by the legendary Roger Corman. There are plenty of outstanding illustrations in this helpful volume.
I have several differences with some films that are included and some that are excluded. The book “Top l00 Sci-Fi Moves” by Gary Gerani and Steven Jay Schneider’s “101 Sci-Movies You Must See Before You Die” agree with much of what’s in the TCM book, but also have some major differences.
Before getting into that and other debates, here are the films selected in the TCM book by eras:
1902-1936: A Trip to the Moon, Metropolis, Frankenstein, Island of Lost Souls, The Invisible Man, Things to Come.
1937-1950: no films selected.
1951-1959: The Thing from Another World, The Day The Earth Stood Still, It Came from Outer Space, War of the Worlds, Them!, Gojira (Godzilla), 20,000 Leagues Under the Sea, Forbidden Planet, Invasion of the Body Snatchers, The Incredible Shrinking Man, The Fly, The Blob.
1960-1968: The Time Machine, La jetee, These Are the Damned, Alphaville, Fantastic Voyage, Planet of the Apes, 2001: A Space Odyssey, Barbarella.
1971-1979: THX 1138, A Clockwork Orange, Silent Running, Solaris (original Russian version), Sleeper, The Man Who Fell to Earth, Logan’s Run, Star Wars, Close Encounters of the Third Kind, Alien.
1980-1981: none listed.
1982-1987: E.T.: The Extraterrestrial, Blade Runner (2011 final cut), The Brother from Another Planet, The Terminator, Back to the Future, Brazil, Robocop.
1989-1992: none listed.
1993-2000: Jurassic Park, The Matrix.
2001-2016: A.I. (Artificial Intelligence), Eternal Sunshine of the Spotless Mind, Wall-E, District 9, Arrival.
A close read of the list will show that the films reflect the times in which they were made. The first group of films reflects fears of the future and the hope that humans will grow wiser.
The dark period of 1939-1950 is indicative of a serious time when the world was engaged in a terrible world war and then the rebuilding of the devastated parts of the planet. These serious times were real, not SF.
The cold war that dominated the 1950s (and would continue for decades) and the fears of nuclear war and xenophobia became fodder for SF films during that decade.
Nearly all of the 50 films are notable in a variety of ways, but while we like the humor in some of the TCM picks, we see better examples of it in movies such as Galaxy Quest, a near perfect spoof of Star Trek. And, by the way, not a single Star Trek movie is listed, not Wrath of Khan, not First Contact nor Star Trek XI, J.J. Abrams first crack at Trek, in the TCM book.
In their books published several years before the TCM book, authors Gary Gerani (GG), author of “Top 100 Sci-Fi Movies,” and Steven Jay Schneider (SS), editor of “101 Sci-Fi Movies You Must See Before You Die,” agree with many of the picks in the newer book. However, they disagree with some picks and list others not in the TCM book.
With that said, I have several differences with some films that are included and others that are excluded from Gerani’s and Schneider’s book.
I am not going to list all of the films they don’t include in their lists, but in the list that follows we’ll list the titles they included that aren’t in the TCM book. We’ll designate each authors picks with their initials and if both pick the same movies we will state that it is a choice of “both.” One distinction that should be noted here is the Gerani is a British writer and Schneider is an American scholar.
A Trip to Mars, SS; Aelita, SS; Paris Asleep, SS; When Worlds Collide, both; Invaders from Mars, both; It Came from Outer Space, both; Journey to the Center of the Earth, both; The Amphibian Man, SS; Robinson Crusoe on Mars, both; The 10th Victim, SS; Fahrenheit 451, both; Seconds, both; Who Killed Jessie, SS; Quartermass and the Pit or Five Million Miles to Earth, both; Slaughterhouse Five; both; Star Trek II: Wrath of Khan, both; Fantastic Planet, SS; Soylent Green, SS; Westworld, SS; Dark Star, both; Stalker, SS; Time After Time, SS; Star Wars: The Empire Strikes Back, both; Flash Gordon, SS; Scanners, SS; Escape from New York, SS; The Road Warrior, both; The Thing (1982), both; Tron, SS; Videodrome, SS; The Final Combat, SS; Star Wars: Return of the Jedi, SS; Repo Man, SS; 1984, SS; Dune, both; Starman, SS; The Quiet Earth, SS; Aliens, both; Star Trek IV: the Voyage Home, SS; Robocop, both, Akira, SS; The Navigator, SS; Tetsuo — The Iron Man, SS; The Abyss, SS; Total Recall, SS; Terminator 2: Judgment Day, both; Ghost in the Shell (Japan-UK), SS; 12 Monkeys, SS; Independence Day, both; The Fifth Element, SS; Men in Black, SS; Gattaca, both; Starship Trooper, SS; Open Your Eyes, SS; Pi, SS; Galaxy Quest, SS; Signs, SS; Code 46, SS; Primer, SS; I Robot, SS; The Host, SS; Children of Men, SS.
Also, Crack in the World, Doctor Cyclops, Conquest of Space, The Giant Behemoth, The Man from Planet X, The Crawling Eye, The Day of the Triffids, The Man with X-ray Eyes, Unearthly Stranger, It! Terror from Beyond Space, The Humanoids, Red Planet Mars, 2010, Journey to the Far Side of the Sun, X–The Unknown, Rocketship XM, Mysterious Island, Rodan, World Without End, Creature from the Black Lagoon, First Men on the Moon, This Island Earth, I Married a Monster from Outer Space, Predator, The Abominable Snowman of the Himalayas, The Beast from 20,000 Fathoms, Minority Report, The Day the Earth Caught Fire, The Power, Gorgo, Rollerball, I Am Legend, Quartermass II — Enemy from Space,War of the Worlds (2005), On the Beach, The Creeping Unknown — The Quartermass Experiment, Altered States, Destination Moon, The Andromeda Strain, The Man in the White Suit, The Fly (1986), Voyage to the End of the Universe or Ikarie XB1, Colossus — The Forbin Project, Star Trek XI (J.J. Abrams’ first Trek movie), and Village of the Damned, all GG.
Do I agree with everything in the two alternative books? No way. Some belong, some don’t and there are a few in Schneider’s book that I haven’t seen yet.
Some of the differences I have are a result of this story being written some time after the three books.
Among others I would consider worthy of consideration are The Martian, Avatar, The Shape of Water, Gravity, Inception, Interstellar, Ex Machina, Blade Runner 2049, Inception, King Kong (both the original classic and the 2005 version), Contact, Sunshine (2007), Cocoon, Dr. Jekyll and Mr. Hyde (1931), The Man from Earth, The Hunger Games, The Adjustment Bureau, and others too numerous to name.
I credit the authors for the extremely hard work it took to put together their books. Science fiction is a nearly impossible large subject. Yet, I can’t hardly wait to see what the folks on other worlds are writing about us.
Since RDH Great Stories moved to Lawrence County, Indiana, we have been trying to track down the site of the abandoned pyramid and Great Wall of China models project.
The project began in the late 1970s and was abandoned in the early 1980s, left incomplete. It was the beneficiary of federal funding, but became the subject of considerable criticism.
It was awarded U.S. Sen. William Proxmire’s Golden Fleece Award. The Wisconsin senator issued the awards from 1975 until 1988, when he retired. He presented 168 of the awards.
The Taxpayers for Common Sense in 2000 listed the Bedford project funded by the Commerce Department as the second most classic example of “wasteful, ridiculous or ironic use of the taxpayers’ money.″
How much federal and other government funds were invested in the project is unclear. However, when the plug was pulled, there were insufficient funds to complete, according to published accounts
Over the past 35 years, the site has gradually deteriorated and is marked with no trespassing signs. The remains are located at the end of a state road near Judah, Ind., surrounded by a quarry, farm land, a cemetery, and homes.
On our third visit, we determined we had found the site. We observed the “no trespassing signs,” but took pictures from the road.
If you know who owns the property, please have them contact us. We’d like to take a closer look and ask a few questions.