‘Get Back’ documentary film release set for September

After more than 50 years, “Get Back” will finally be released as a documentary film in September.

When the Beatles began their work on what was intended to be “Get Back,” the complicated sessions and band member relationships led to the band throwing its hands up in the air. Eventually a “Let It Be” album and film were released, chieflyderived from the Get Back sessions. Very few were happy with the record produced by Phil Spector and the movie.


“Let it Be” hasn’t been available to the public since the early days of commercial VHS tape.


On Thursday, Walt Disney Studios and Apple announced that a Peter Jackson-created documentary called “Get Back” would be released around the world.

According to the announcement, The Walt Disney Studios officials stated they had acquired the worldwide distribution rights to “acclaimed filmmaker Peter Jackson’s previously announced Beatles documentary. The film will showcase the warmth, camaraderie and humor of the making of the legendary band’s studio album, “Let It Be,” and their final live concert as a group, the iconic rooftop performance on London’s Savile Row.

 

The Beatles: Get Back” will be released by The Walt Disney Studios in the United States and Canada on September 4, 2020, with additional details and dates for the film’s global release to follow. The announcement was made earlier today by Robert A. Iger, executive chairman, The Walt Disney Company, at Disney’s annual meeting of shareholders. 


“No band has had the kind of impact on the world that The Beatles have had, and ‘The Beatles: Get Back’ is a front-row seat to the inner workings of these genius creators at a seminal moment in music history, with spectacularly restored footage that looks like it was shot yesterday,” says Iger of the announcement. “I’m a huge fan myself, so I could not be happier that Disney is able to share Peter Jackson’s stunning documentary with global audiences in September.” 

“The Beatles: Get Back,” presented by The Walt Disney Studios in association with Apple Corps Ltd. and WingNut Films Productions Ltd., is an exciting new collaboration between The Beatles, the most influential band of all time, and three-time Oscar®-winning filmmaker Peter Jackson (“The Lord of the Rings” trilogy). Compiled from over 55 hours of unseen footage, filmed by Michael Lindsay-Hogg in 1969, and 140 hours of mostly unheard audio recordings from the “Let It Be” album sessions, “The Beatles: Get Back” is directed by Jackson and produced by Jackson, Clare Olssen (“They Shall Not Grow Old”) and Jonathan Clyde, with Ken Kamins and Apple Corps’ Jeff Jones serving as executive producers. 
 
The footage has been restored by Park Road Post Production of Wellington, New Zealand, and is being edited by Jabez Olssen, who collaborated with Jackson on 2018’s “They Shall Not Grow Old,” the groundbreaking film which featured restored and colorized World War I archival footage. The music in the film will be mixed by Giles Martin and Sam Okell at Abbey Road Studios in London. With this pristine restoration behind it, “The Beatles: Get Back” will create a vivid, joyful and immersive experience for audiences.   

Peter Jackson says, “Working on this project has been a joyous discovery. I’ve been privileged to be a fly on the wall while the greatest band of all time works, plays and creates masterpieces. I’m thrilled that Disney have stepped up as our distributor. There’s no one better to have our movie seen by the greatest number of people.”
 
Paul McCartney says, “I am really happy that Peter has delved into our archives to make a film that shows the truth about The Beatles recording together. The friendship and love between us comes over and reminds me of what a crazily beautiful time we had.”

Ringo Starr says, “I’m really looking forward to this film. Peter is great and it was so cool looking at all this footage. There was hours and hours of us just laughing and playing music, not at all like the version that came out. There was a lot of joy and I think Peter will show that. I think this version will be a lot more peace and loving, like we really were.”

“The Beatles: Get Back” is also being made with the enthusiastic support of Yoko Ono Lennon and Olivia Harrison.

Although the original “Let It Be” film, directed by Michael Lindsay-Hogg, and the accompanying album were filmed and recorded in January 1969, they were not released until May 1970, three weeks after The Beatles had officially broken up. The response to the film at the time by audiences and critics alike was strongly associated with that announcement. During the 15-month gap between the filming of “Let It Be” and its launch, The Beatles recorded and released their final studio album, “Abbey Road,” which came out in September 1969.

Shot on 16mm and blown up to 35mm, the 80-minute “Let It Be” movie was built around the three weeks of filming, including an edited version of the rooftop concert. The GRAMMY-winning “Let It Be” album topped the charts in the U.S. and the U.K.

The new documentary brings to light much more of the band’s intimate recording sessions for “Let It Be” and their entire 42-minute performance on the rooftop of Apple’s Savile Row London office. While there is no shortage of material of The Beatles’ extensive touring earlier in their careers, “The Beatles: Get Back” features the only notable footage of the band at work in the studio, capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr as they create their now-classic songs from scratch, laughing, bantering and playing to the camera. 

Shot on January 30, 1969, The Beatles’ surprise rooftop concert marked the band’s first live performance in over two years and their final live set together. The footage captures interactions between the band members, reactions from fans and employees from nearby businesses, and comical attempts to stop the concert by two young London policemen responding to noise complaints. 

A fully restored version of the original “Let It Be” film will be made available at a later date.

 

‘Eight Days a Week’ best intended for newbees

“But Ronnie D,” my friend said.

I interrupted and said, “Please don’t call me ‘Ronnie.'”

“Okay, Ronald D,” the friend continued, “but you love the Beatles.”

“True,” I said.

“And you’re a big fan Ron Howard, too,” the friends said. “So what’s your problem with ‘Eight Days a Week: the Touring Years?'”

Where does this begin, particularly with the recently released 2 Disc Special Edition Blu ray?

When the documentary was shown in the theater in Cincinnati, it was immediately followed by the complete Shea Stadium concert. The two-disc, Blu-ray set doesn’t include the concert and that’s just one of the disappointments.

Eight Days a Week
Eight Days a Week

I buy any “fresh” Beatles products, continually feeding my 52-year plus addiction. The long version of the Beatles’ Anthology videos, the Beatles movies, The Beatles First Visit to the United States and the two-DVD Ed Sullivan Show set include nearly everything and more than is in this documentary and I own them all.

It’s also very disappointing to see some of the original black and white footage colorized.

I love the Beatles (see my Beatles Memories and Memorabilia Facebook page) and Ron Howard (that guy has great initials), but not this package. If you want to see a better film by Ron Howard, make sure you see “In the Heart of the Sea,” which was released in 2015.

The documentary is great for beginners, but not longtime Beatlemaniacs who’ll find this chiefly a condensed rehash. Unlike the promotional slogan for it,  it is not the story we haven’t heard before.

The extra disc would have been the place for the Shea Stadium concert. Instead, we’re only allowed 15 or so minutes of live Beatles’ performances, none from the Shea Stadium show. Also, I had hoped to see more of the Candlestick Park concert, their final live concert not counting the rooftop Get Back show.

The promotion for this film also included a tie-in with a new version of the Beatles’ Live at the Hollywood with a couple of additional live tracks including one which had previously been released in the mid-1990s as a part of an Anthology EP.

The CD was another failed opportunity. If the surviving Beatles and the Apple execs had converted Live at the Hollywood Bowl into a more comprehensive live CD that included other venues this would have been something fans have been clamoring for for decades.

In 2015, the wonderful “1+” video collection of Number 1 hits and other song was a superb offering of how the Beatles legacy could be enhanced.

Unfortunately, it appears with this year’s release that the Beatles and Apple are trying to see how far they can stretch the material and how much fans are still willing to buy.

I am extremely disappointed with these releases. Still, I will watch this many more times, trying to find something I might have missed and probably be ready to buy whatever is released next year.